Bringing the piano and string quartet together, Schumann's Piano Quintet takes full advantage of the expressive possibilities of these forces in combination, alternating conversational passages between the five instruments with concertante passages in which the combined forces of the strings are massed against the piano. By 1842, the string quartet had come to be regarded as the most significant and prestigious chamber music ensemble, while advances in the design of the piano had increased its power and dynamic range. Schumann's choice to pair the piano with a standard string quartet lineup reflects the changing technical capabilities and cultural importance, respectively, of these instruments. Schumann's piano quintet is scored for piano and string quartet (two violins, viola, and cello). ![]() On one occasion, however, Robert Schumann asked a male pianist to replace Clara in a performance of the quintet, remarking that "a man understands that better." Instrumentation and genre Clara pronounced the work "splendid, full of vigor and freshness." She often performed the work throughout her life. Ĭlara Schumann did play the piano part at the first public performance of the piano quintet on 8 January 1843, at the Leipzig Gewandhaus. This section however became one of the hardest cello passages of all chamber music because the whole section imitates the piano with all of the scale patterns which creates an awkward source-motive in mostly minor. Mendelssohn's suggestions to Schumann after this performance led the composer to make revisions to the inner movements, including the addition of a second trio to the third movement. However, she fell ill and Felix Mendelssohn stepped in, sight-reading the "fiendish" piano part. She was due to perform the piano part for the first private performance of the quintet on 6 December 1842 at Carl and Henriette Voigt's home. Schumann dedicated the piano quintet to his wife, the great pianist Clara Schumann. Both works are in the key of E-flat, feature a funeral march in the second movement, and conclude with finales that dramatically resurrect earlier thematic material. 2 in E-flat major, a work Schumann admired. a new lease on life." ĭaverio has argued that Schumann's piano quintet was influenced by Schubert's Piano Trio No. Schumann began his career primarily as a composer for the keyboard, and after his detour into writing for string quartet, according to Joan Chisell, his "reunion with the piano" in composing a piano quintet gave "his creative imagination . John Daverio considers the Piano Quintet to be the "creative double" of the Piano Quartet that was written few weeks later, both displaying the "extroverted, exuberant side of the composer's creative genius". 47 and the Phantasiestücke for piano trio, Op. ![]() However, during his year-long concentration on chamber music he composed three string quartets, Op. Prior to 1842, Schumann had completed no chamber music at all with the exception of an early piano quartet (in 1829). Schumann composed his piano quintet in just a few weeks in September and October 1842, in the course of his so-called Chamber Music Year. Robert Schumann dedicated the piano quintet to Clara, and she performed the piano part in the work's first public performance in 1843.
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